Axial Commons Image Treasury
Grabado de un hombre barbado sentado junto a un arroyo mientras un cuervo le trae comida, con árboles y un ciervo al fondo.

Elías alimentado por un cuervo, grabado Providencia de Dios

Un pequeño grabado muestra a un hombre barbado con una túnica holgada, sentado en una orilla rocosa junto a un arroyo, con un gran cuervo posado sobre él con comida en el pico. Árboles densos enmarcan la escena y un ciervo aparece a lo lejos a la derecha. Sobre la lámina está la inscripción PROVIDENTIA DEI.

Artista
Christoph Murer
Fecha
1622
Técnica
Allegorical prints Emblem pictures Etchings
Fuente
Wellcome Collection
Tamaño
4000 × 3494 px
Descargar en tamaño completo
Dominio público · Wellcome Collection marks it Public Domain Mark; made by 1622.
Derechos verificados 2026-11-05 · nivel A · según la fuente: Public Domain Mark (Wellcome Collection)

Crédito (se agradece, no es obligatorio en obras de dominio público): Wellcome Collection

Alquimia y saber oculto17th centuryemblem printetchingprintmakinglandscapebiblical scenetreesdeerprophetelijahraven

Más de Alquimia y saber oculto

Iconologia, overo descrittione d'imagini delle virtù, vitij, affetti, passioni humane, corpi celesti, mondo e sue parti / Opera de Cesare Ripa ... Fatica necessaria ad oratori ... scultori, pittori ... per figurare con i suoi proprij simboli tutto quello, che può cadere in pensiero humano. Di nouo in quest' vltima editione corretta diligentemente, & accresciuta di sessanta e più figure poste a luoghi loro: aggionteui copiosissime tauole per solleuamento del lettore.Iconologia, overo descrittione d'imagini delle virtù, vitij, affetti, passioni humane, corMen worship an ass bearing a religious image; alluding to both Aesop's fable of the ass and idol worship in Arianism and contemporary Catholicism. Etching by C. Murer after himself, c. 1600-1614.Men worship an ass bearing a religious image; alluding to both Aesop's fable of the ass anKloosterleven in emblemenKloosterleven in emblemenFeast scene representing hospitality; alluding to Abraham and the three angels. Etching by C. Murer after himself, c. 1600-1614.Feast scene representing hospitality; alluding to Abraham and the three angels. Etching byA dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.A dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himIconologia: or, moral emblems .... Wherein are express'd various images of virtues, vices, passions, etc. as design'd by the ancient Egyptians, Greeks, Romans, and modern Italians ... / illustrated with ... humane figures, with their explanations; newly design'd, and engraven ... by I. Fuller ... and other masters. By the care and at the charge of P. Tempest.Iconologia: or, moral emblems .... Wherein are express'd various images of virtues, vices,