Axial Commons Image Treasury

Anatomy and Medicine

239 images

Painting of a surgeon in a black hat lifting the arm of a corpse while bearded men in white collars watch around the table.The Anatomy Lesson of Dr. Nicolaes TulpPainted portrait of a man in a blue jacket and white cap, head resting on his hand at a red table beside a sprig of flowers.Portrait of Dr. Gachet, Vincent van Gogh, 1890Painting of twisting trees with swirling blue-green foliage in front of a pale yellow building with green shutters and red earth below.Trees in the Garden of Saint-Paul HospitalPainted portrait of a man in a blue jacket resting his head on his hand, with a sprig of purple foxglove in a vase and a yellow book on a table.Portrait of Dr. Gachet, Vincent van Gogh, 1890Etching of a haloed Christ with raised arms among a crowd of sick people and onlookers in a dark, arched setting.Christ among sick people and PhariseesPainting of an anatomy lesson: a corpse's scalp is being opened at the head while a man in black and white collar stands beside it.The Anatomy Lesson of Dr. Joan Deijman, 1656Painting of a corpse on a table with a group of men in dark clothing and white collars gathered around it; one man in a black hat lifts the arm with forceps.The Anatomy Lesson of Dr TulpPainted portrait of a seated man in a pale cap and dark blue coat, head resting on his hand beside a yellow book and a sprig of foxglove.Portrait of Dr. Gachet, seated man with foxgloveTwo-panel painting: left, Crucifixion with three crosses and mourners; right, Christ in glory above saints and angels, with demons and the damned below.The Crucifixion; The Last JudgmentPainting of a grimacing elderly man held by a figure in pink as an older woman holds a candle in a dark interior.The Operation (Allegory of Touch)Painting of a lone man in a dark coat walking a pale path between twisting tree trunks, with a green lawn and autumn foliage.The Garden of Saint Paul's Hospital ('Leaf-Fall') by Van Gogh, 1889Engraving of an armored knight on horseback with a dog and skull, a horned devil behind him, and a castle on a distant hill.Knight, Death and the Devil (Dürer engraving, 1513)Painting of a pale stone bench among gnarled tree trunks on orange-red earth, with a round stone basin behind, in loose, swirling brushstrokes.The Stone Bench in the Garden of Saint-Paul HospitalVanitas still life with a gold crown, gilded goblet, pearl strands, open books and globes on a draped table in dim light.Vanitas still lifePainting of a skull and upper skeleton with a lit cigarette between its teeth, set against a dark background.Skull of a Skeleton with Burning CigarettePainting of a long hospital ward with green curtained beds, patients seated near a round stove, and figures in white moving down an orange-floored aisle.Dormitory in the Hospital in Arles, Van GoghPainting of tall tree trunks and autumn foliage in gold and orange, with dark cypresses and a curving pale path through yellow grass.Trees in the Garden of Saint-Paul Hospital, 1889Painting of a barefoot woman in a yellow gown holding a torch aloft in a dark room, with two figures faintly visible in shadow behind her.The Sleepwalking Lady MacbethPainting of twisted trees, stone benches and a cobbled path in a walled garden under a yellow and pink sky, with a small figure at right.The Garden of St. Paul's Hospital, Saint-RémyPainting of rolling green hills, blue mountains and swirling clouds above a grassy field with a stone wall and farmhouses.Mountainous Landscape Behind Saint-Paul Hospital, 1889Line engraving of a standing skeleton in side view, left arm extended, before a stone wall with a tree and rocks.Skeleton in Side View, Left Arm Extended, Engraving after AlbinusEngraving of a standing man seen from behind with exposed back muscles, one arm outstretched, set against trees and a stone pedestal.Muscular figure seen from behind, in a garden settingInk drawing of a standing skeleton in a ruined classical landscape with columns, broken stone and trees, in grey tones.Anatomical skeleton in a classical ruined landscape, ink drawingEngraving of a skeleton dressed as a fashionable woman with a feathered hat and long gown, holding a sprig, with angels above and a town below.Skeleton as a Fashionably Dressed Woman, Memento Mori EngravingPainting of twisting trees and green foliage beside a yellow building with green shutters, a dirt path and blue sky.Trees in the Garden of Saint-Paul HospitalPainting of a pale building with a bell tower behind a ploughed field, under a swirling sky with a golden tree at right.View of the Asylum and Chapel of Saint-RémyPainting of a curving path through tall tree trunks in ochre and brown, with a small seated figure near the center and a fence behind.Garden of Saint-Paul Hospital with FigurePainting of a garden with a tall green cypress, twisted purple tree trunks in the foreground, swirling brushwork, and a low wall behind a grassy lawn.The Garden of Saint-Paul Hospital, Van Gogh (1889)Painting of a vaulted hospital corridor with yellow walls and green arches opening onto a sunny garden with a fountain.Lobby of the Hospital of Saint-PaulPainting of an elderly bearded man in red robes at a desk with a skull, open book and candle, with a moonlit landscape through a window behind him.Saint Jerome in His Study, after Marinus van ReymerswaeleThangka painting of a blue Buddha in red robes on a lotus throne, surrounded by rows of small seated figures in red and blue arched niches.The Medicine Buddha Bhaishajyaguru With His Mandala RetinueEtching of a man reading a large sheet by a window, with an open book and skull on a table and a crucifixion triptych behind him in deep shadow.Abraham Francen, ApothecaryPainted portrait of an older balding man with a dark moustache in a blue striped jacket against a swirling yellow-green background.Portrait of the Superintendent Trabuc, Saint-Paul HospitalDark painting of men in black robes and lace collars gathered around a pale corpse on a table, with one bearded man holding forceps to its opened arm.The Anatomy of Dr Nicolaes TulpPencil drawing of a scowling older man with curly hair, chin resting on his clenched hand beside an ornate cane.Pencil study of a scowling man, from Charles Bell's Essays on ExpressionPen and ink drawing of a round stone fountain in a garden under tall trees, with a building at the right.Fountain in the Garden of the Hospital of Saint-PaulEngraved certificate with an anatomical écorché figure and a skeleton on stone plinths, holding a circular vignette above printed text.Certificate of Anatomical Lectures, John Abernethy, 1821Engraving of a man's head tilted back, curly hair, furrowed brow and wide-open grimacing mouth, rendered in fine hatched line on a pale background.Engraved study of a grimacing man's head, from Charles Bell's anatomy of expressionColoured lithograph of a young man in a green apron reaching to shelves of jars while two women in 1830s dress stand at a shop counter.Apothecary Serving Two Women in a Shop, Coloured Lithograph c. 1830Woodcut: a skeleton raises a spear toward an elderly figure propped on pillows in a wooden chair, with a sprig of branches above.A Sick Old Woman as a Skeleton Aims a Spear at Her EyesEtching of an apothecary holding a vial to the light while a woman in a headscarf sits at his counter; a skeleton with a scythe looms outside the window.A woman visits an apothecary; death lurks nearbyWoodcut of a skeleton holding an hourglass beside a seated elderly man in a fur-trimmed robe who looks downward, with a bare tree behind.Elderly Man Confronted by a Skeleton with an HourglassEngraving of a chained man on a floor in a barred asylum ward, with attendants, a woman in white, and crowded patients around him.Mad in Bedlam - Hogarth engraving, 1735Sepia aquatint showing a uniformed officer among robed and turbaned figures, some lying ill on the ground, in an arcaded courtyard with a city burning beyond.Bonaparte Visiting the Plague-Stricken at Jaffa, Aquatint after GrosEngraving of a bearded, shirtless man crouched and chained to a wall ring, grimacing with clenched teeth.Chained man grimacing, from Charles Bell's Essays on ExpressionEngraving of a chemist seated and pointing with a rod while an assistant stands by a furnace in a cluttered laboratory with hanging reptiles and glass flasks.A Chemist's Laboratory with Numbered Apparatus, Engraving, 1748Dark stipple engraving of a lazar house: a pale emaciated figure reaches upward while sick people huddle below a looming winged skeleton.Death Above a Lazar House: Stipple Engraving after Fuseli, 1813Oil painting of a younger man in a dark suit watching an older man in a white head bandage and black sweater handle glass laboratory apparatus.Two Men with Laboratory Glassware, Oil PortraitOil portrait of a white-haired man in a dark coat and white cravat, seated before a red drape and stormy sky, in a gilt frame.Portrait of Antony Cass, Surgeon-Apothecary at LeedsOil painting of a bearded man in a fur-trimmed robe raising a glass flask, with an open book and a red cushion in a dim room.Man examining a flask at a window, oil painting by Willem Joseph Laquy, 1780Engraved title page: a bearded man in a black robe faces a haloed nude figure holding a plant, with a skeleton and anatomical figure on either side.Johan van Beverwijck with Apollo, title page engraving, 1656Engraving of an armored angel with a sword hurling monstrous, animal-headed fallen figures down through clouds toward a rocky, chaotic scene below.Fallen Angels Cast Down by Michael, Engraving after Maerten de Vos, 1583Hand-coloured caricature of a lecturer in a green coat holding a skull, surrounded by five men, with shelves of skulls and busts behind.Franz Joseph Gall Lecturing on Phrenology, Rowlandson 1808Engraved scene of a crowded ancient street with robed figures collapsing and covering their faces, columned buildings behind, and bodies lying in the foreground.The Plague of the Philistines at Ashdod, after PoussinBlack-and-white etching of a laboratory with a skylight, furnaces, shelves of glass jars, and a long table with apparatus on a stone floor.Design for a General Chemical Laboratory, 1822 EtchingEngraving of a hospital ward with patients in beds, robed attendants tending them, and visitors entering; Latin inscription along the bottom.Hospital Ward with Patients and Attendants, after Matthew 25:36Black and white print of a bald caricatured lecturer holding a skull, surrounded by men and shelves of skulls and busts.Phrenology lecture among skulls and model heads, after RowlandsonHand-coloured engraving of two standing skeletons, front and back views, with the word Anatomy printed above them.Human Skeleton: Front and Back Views, 1796 EngravingEtching of two skeletons and a nude woman, half skin and half skeleton, standing side by side against a pale background with handwritten text above.Two Skeletons and a Half-Skeleton Female Figure, Anatomical EtchingPainting of two haloed saints in red robes performing surgery on a sleeping man in a curtained bed, with a kneeling attendant holding a candle, in a gilded frame.Saints Cosmas and Damian performing a leg transplant, oil painting ca. 1495Black and white print of a crowded night fair under a full moon, with banner-hung booths at center and revelers filling the foreground.Bartholomew Fair, London: night revelry at the fair in SmithfieldEngraving of a bearded, muscular man sitting hunched in chains, face contorted in anguish, with a wall ring behind him.Seated man in chains, from Bell's Essays on ExpressionHand-coloured botanical etching showing many flowers, fruits and flower parts in a grid, with the word BOTANY printed across the top.Fifty-four flowers, fruit and floral segments, coloured etching, 1799Painted half-length portrait of a bearded man in a black hat and dark coat with a large white collar, hand resting on a cane, warm brown background.Portrait of Dr. Ephraïm BuenoNight view of a crowded fair with striped booths, lanterns and a moon, with many people in the foreground and tall buildings at right.Bartholomew Fair, London: night revelry at SmithfieldSepia photograph of a dark wooden anatomy theatre with carved paneling, tiered seating, statues in niches, and iron candelabra.Anatomy Theatre, Archiginnasio, BolognaEngraving of a bearded physician in a long robe holding a flask, with patients in beds, attendants, books, a dog, and a Latin inscription below.The medical practitioner appearing as a mere human, engravingEngraved laboratory interior with two men, hanging dried reptiles, glass flasks, furnaces and jars on shelves, 1748.A Chemist's Laboratory with Numbered Apparatus, Engraving, 1748Oil painting of a seated man in blue raising a glass flask in a dim interior, watched by a standing woman in a white cap, with jars, a dog, and figures around.A physician with a urine flask, interior with figures, by Gerard ThomasEngraved illustration of a man with wild hair, wide eyes and open mouth, hands raised in alarm.Study of Expression: Man with Hands Raised in AlarmWood engraving of a skeleton in a tailcoat bowing to a seated skeleton woman in a ruffled gown, titled The Arsenic Waltz, from Punch 1862.The Arsenic Waltz, Punch cartoon, 1862Interior of an apothecary workshop with two men at a table near a copper pot, shelves of jars and bottles, and a figure in a far doorway.The Distillery of Apothecary A. d'AillyEngraving of an apothecary examining a young woman's throat in a shop with jars and shelves; patients wait at left and a man writes at right.The Apothecary Examines a Young Singer's ThroatBlack-and-white photograph of a life-sized whale model and whale skeleton suspended over museum display cases in a large arched exhibition hall.Whale Model and Skeleton, 1904 St. Louis World's Fair Natural History HallSepia photo of a carved wooden anatomy theatre with tiered balustrades, a stone pedestal with figure sculptures, portrait medallions on the walls, and an iron candelabra.Anatomy theatre, Archiginnasio, Bologna (photograph)Coloured lithograph of a bearded man in a dark hat offering a small bottle to a reclining young woman in a window alcove.A Physician Offering Medicine to a Young Female PatientHand-coloured etching of a river turned red, with figures on the banks, dead fish, a palm tree, and a walled city with towers.The First Plague in Egypt: Rivers Turned to Blood, Coloured EtchingEngraved interior scene: a surgeon in a tricorn hat applies cupping to a seated man in a nightcap while an assistant watches; dried fish and jars hang and sit nearby.Cupping Applied to Ragotin, Engraving After OudryPharmacy engraving: a woman in a white cap mixes medicine at a counter with a child; a seated man smokes at right.Interior of a Pharmacy, Engraving After Van BrekelenkamEngraved plate of a large fossil ground sloth skeleton standing beside a small human skeleton for scale, with title text across the top.Megatherium Skeleton Beside a Human Skeleton, Plate CIIIEngraving of an apothecary seated in a cluttered shop holding a basket, with hanging alligator and fish above and printed verse below.The Apothecary, engraving after Alexander Pope's verse satire, ca. 1750Woodcut of a brown spider with long legs at the center of concentric web lines, framed by black diagonal lines on aged printed paper.Spider in a web, woodcut from Ortus sanitatis (1491)Oil portrait of an older man with white hair in a dark brown coat and white cravat, seated before red drapery and a dim landscape.Antony Cass, surgeon-apothecary at Leeds (portrait)Colour lithograph: a top-hatted man watches policemen carry a figure into a Pharmacie de Lisieux doorway, with a red car in the street behind.Pharmacie de Lisieux: policemen carry an injured man to a shopHand-coloured etching of people fleeing a swarm of insects through a colonnaded Egyptian city street rendered in deep perspective.The Plague of Insects: Coloured Etching, c. 1775-1779Watercolour of a pink human figure with staring eyes, covered in small painted zodiac animals and men on its torso, arms and legs.The zodiac man, Persian watercolourDark mezzotint of a robed figure raising an arm under lightning and hail, above a colonnaded temple with fleeing figures.Moses evokes the seventh plague (mezzotint, 1832)Engraving of a radiant bearded figure enthroned on clouds, with angels above and nude figures rising from open graves below.The Last Judgement: graves opening, angels and rising dead, engraving 1564Engraving of Saint Peter and Saint John helping a lame man on temple steps, with onlookers, columns and classical architecture in the background.Saint Peter and Saint John Healing the Lame Man at the Temple GateDark mezzotint of a man in a cap pressing a grimacing, wide-eyed man's head while a second figure holds him from below.Itinerant surgeon extracting stones from a patient's head, mezzotint after TeniersHand-coloured etching of a stormy city with lightning and hail, people and animals fleeing across a foreground field.The Seventh Plague of Egypt: Hail and ThunderEngraving of a human skeleton seen from behind, arms outstretched, standing on a pale background with the word Anatomy at top.Human Skeleton Seen from Behind, Line EngravingEngraving of a group of figures in a walled yard by a barred window, some embracing, some seated or slumped, with a standing man at right.Mentally ill people in an asylum garden, after KaulbachEngraving of a nude woman holding a globe in an oval frame, surrounded by zodiac signs and radiating light rays on a starry background.Nude woman with globe and zodiac signs, engraved astrological plateColoured caricature etching: a furry frenzied beast with arms raised in a draped room, a blue serpent coiling around a man by the fire, and a wigged doctor writing at right.Ague & Fever: caricature of fever as a frenzied beastWooden case holding a jointed anatomical manikin with printed muscles, ribs, brain and green veins, with a painted panel at the right edge.Anatomical manikin with layered muscles and veins in wooden caseOpen wooden case holding a layered colour lithograph of human anatomy, with a brain and head flap lifted and muscles and vessels visible on a torso.Anatomical Figures with Detachable Parts, American Manikin Co., ca. 1890Mezzotint of a woman holding a candle beside a canopied bed where a sick man lies sleeping in a dim bedroom.The Wife: Woman Tending Sick Husband by Candlelight, Mezzotint 1837Sepia lithograph of a horse skeleton in stride beside a standing human skeleton with one arm raised toward the horse's neck.Human and horse skeletons in action, comparative anatomy lithographWatercolour of a barber-surgeon in a red hat working on a seated patient's head in a room lined with jars and bottles.Barber-surgeon removing stones from a patient's head, symbolising follyOil painting of bearded ancient figures with a serpent staff beside putti sorting remedies, and workers at furnaces in a vaulted pharmacy hall.Aesculapius and Ancient Physicians with Materia Medica in a PharmacyEngraving of a nude man holding a dark emblem inside an oval ring of zodiac signs, with rays of light and stars.Celestial Influences on the Body of Man, from Culpeper's PhysicianSepia lithograph of a human skeleton kneeling on a seated stag skeleton holding its antlers, with an antelope skeleton standing at left.Skeletons of a man, a seated stag and an antelope, comparative anatomy lithographCharcoal drawing of soldiers tending wounded men in a dark culvert beside a road, with bare trees and a vehicle in the background.Dressing Station in a Culvert in the RoadLithograph comparing a small human skeleton with a large elephant skeleton, both standing side by side on a pale tan background.Comparative skeletons of a human and an elephant, lithographBrown chiaroscuro woodcut of an arched architectural frame with a central wheel of fortune, skeletons at each side, and seated figures and a skull at the top.Triumph of Death with Three Fates and a Wheel of FortuneSepia anatomical lithograph of a human skeleton riding a horse skeleton, with leg and foot bones compared at upper left.Skeleton of a man riding a horse skeleton, with leg bone comparisonEngraved anatomical plate of a head in profile showing the veins of the scalp, face and neck, with muscles and glands in fine black line.Veins of the Head and Neck, Engraved Anatomical PlateColoured caricature etching: a furry brown beast stands center, a blue serpent coils around a man by a fire, and a doctor writes at a desk.Ague & Fever: caricature of a fur-covered fever beastEtched title page with a seated woman working at a table of bottles and plants, a standing figure above, and printed text reading Pharmacopoeia Augustana.Allegory of Pharmacy with Title Page of Pharmacopoeia AugustanaBlack-and-white engraving of a standing human skeleton in profile, one arm outstretched, before a stone wall with trees and rocks in the foreground.Human skeleton in landscape, plate from Albinus's anatomical tablesHand-coloured etching of a woman, half dressed in blue gown and half skeleton, beside an inscribed obelisk, with a skull and bone at her feet.Life and Death Contrasted, or An Essay on WomanProfile portrait drawing in black and white chalk on pink paper of a man with curly hair tied back, wearing a dark coat and white cravat.Dr. Elisha Cullen Dick, Profile Portrait DrawingEngraved anatomical plate of a skeleton seen from behind, arms outstretched, standing before a stone pedestal with a reclining sculpted figure and rocky ground.Skeleton, back view, with left arm extended (Albinus, 1747)Line engraving of a human skeleton seen from the side, one arm outstretched, against a pale background with the word Bones at top.Human Skeleton, Side View, Line EngravingEngraving of risen Christ standing over a defeated skeletal figure and serpent, surrounded by clouds, angels and cherubs, with a halo of light.Christ Showing His Wounds and Triumphing over DeathEngraving of robed men in a classical hall studying antique statues, a skeleton figure, and a perspective diagram on an easel, with floating figures above.Academy of artists discussing study of antiquity, anatomy and perspective, after MarattaEngraving of a human skull in side view with the lower jaw and teeth below, finely hatched and shaded on a pale background.Human skull and jaw, engraved plate VII, John Hunter's teeth study (1771)Engraved plate of four severed cow heads wired to metal rods and stands, arranged on a shelf and tables, with numbered figure labels.Galvanic experiments on severed bovine heads, Aldini 1804Sepia mezzotint of a woman holding a torch beside a draped body at night, under a crescent moon, with trees and a distant hill.Rizpah keeping watch by night, mezzotint after J.M.W. Turner, 1812Pen and ink drawing of a garden with shrubs, potted plants, a central basin, and an arcaded building with trees behind.Garden of the Hospital in Arles, pen and ink drawingEngraved botanical plate of a Cinchona branch with large oval leaves, star-shaped pale flowers and buds, labeled Cinchona officinalis in script at the bottom.Cinchona officinalis, engraved botanical plateEngraving of a large skull wreathed in flowers between two candles, with an hourglass and sundial, and a reclining skeleton below.Skull, skeleton, candles and symbols of mortalityBlack and white engraving of a flayed male figure seen from behind, muscles exposed, leaning over a sloped table.Anatomical engraving of a flayed figure with exposed back musclesEngraved anatomical figure with exposed muscles, hand resting on a stone block on a pedestal, plants and landscape behind.Anatomical figure with exposed muscles, Tab. IXSequence of skeleton figures in stride, walking left, drawn in grey tones on mottled paper with a horizontal ground line.Skeleton in Motion: Sequential Walking FiguresPainting of a classical city street where many people lie on the ground or stagger among dogs and livestock, with columned buildings and a cloudy sky.The Plague of the Philistines at Ashdod, 1661Etching of a crowd on a seashore with a robed figure raising his arm among sick people lying on the ground, classical columns at left and a boat at right.The Sick Brought to Christ at Gennesaret by the SeaEngraving of a classical city where many figures lie dead or dying on paving stones while others mourn beside columns and a stone arch.The Plague of the Israelites, engraving after Pierre MignardBlack and white etching of a bearded man in a cloak reading at a cluttered desk, with a skull, skeleton figure, globe and furnace around him.Philosopher in his study reading beside a skull and skeleton, 1728 etchingColour lithograph of a dandy skeleton in striped jacket and grey trousers holding a cane, beside 1898 calendar sheets for July and August.Skeleton in Fashionable Dress, Calendar Lithograph, 1898Engraved anatomical plate of a standing skeleton with outstretched arms, in a cloudy landscape with rocks, water, and a plant growing from an urn.Skeleton, Tab III, from Tables of the Skeleton and MusclesColour lithograph of a skeleton in a blue dress and tartan cap riding a bicycle, with 1898 calendar pages at upper left.A Century Maid: skeleton cyclist in a tartan cap, 1898 lithographEngraved anatomical plate of a standing skeleton with arms outstretched, with a rhinoceros and trees behind it.Skeleton with rhinoceros, Tables of the Skeleton and Muscles (1749)Engraving of a human skeleton viewed from behind, arms outstretched, standing in front of a rhinoceros against a stone wall.Skeleton seen from behind beside a rhinoceros, engraved plateAnatomical lithograph of an opened male torso showing ribs, a red aorta, kidneys and intestines on a cream page.Surgical anatomy plate: torso with aorta, ribs and abdominal organsEngraving of a crowded plague scene with bodies lying on a paved terrace, grieving figures, a robed man pointing, and classical arches and columns.The Plague of the Israelites, after Pierre MignardPainted corridor with receding arches, yellow walls, green vaulted ceiling, and a brick-red tiled floor, with a small figure near the left columns.Corridor in the AsylumEngraved plate showing galvanic experiments on animal carcasses and vessels, with men at work on tables and numbered diagrams above.Galvanism experiments on animal heads, 1804 engravingEngraved anatomical plate of a standing figure seen from behind, muscles and skeleton exposed, set against a tree, plants and rocks.Anatomical plate of a flayed figure from behind, Albinus tables, 1749Ink caricature of a giant pale monster swinging a mallet at a startled man in an armchair, with a cat on the floor and a caption reading Good evening, I'm the new influenza.Influenza monster strikes a seated man with a mallet, 1918 caricatureEngraved anatomical plate of a nude woman seen from behind, muscles marked with letters, resting a hand on a carved classical urn beside a draped cloth.Anatomical plate: nude female figure with muscles labelled, Albinus 1749Hand-coloured woodcut of an onion with curling green leaves, yellow and rose bulb, and roots, on a page of faint printed text.Onion, woodcut from Ortus sanitatis (1491)Hand-coloured caricature of three seated officers in blue and red uniforms having their heads examined by men in wigs and coats.Phrenological Illustrations: officers having their heads examinedLithograph of a skeleton dressed as a clown with polka-dot costume and striped socks, flanked by September and October calendar pages.The Antikamnia Calendar, 1900: Skeleton in Clown CostumeEngraved anatomical plate of a standing figure with skin removed, showing skeleton and muscles, in a garden with trees and a stone lion on a pedestal.Tables of the Skeleton and Muscles of the Human BodyColour lithograph poster of men using Anios disinfectant against cartoon microbes labelled with diseases such as cholera and plague, with the text L'Anios.Le Microbe, Voilà l'Ennemi: Anios Disinfectant PosterPen-and-ink drawing of a swirling wheat field behind a low fence, with a small roofed building at right under a haloed sun and hills beyond.Fenced field behind the hospital of Saint-PaulColour lithograph of a seated skeleton in a cap and waistcoat, smoking a pipe and holding a beer mug at a table, with calendar pages behind.Skeleton Smoking a Pipe and Drinking Beer, Antikamnia Calendar 1899Engraved anatomical plate of a flayed male figure seen from behind, one arm outstretched, standing in a rocky wooded landscape by a stream.Anatomical figure with exposed muscles, rear view, from Albinus tablesEngraved anatomical plate of a standing flayed figure with exposed muscles, arms outstretched, before a rocky landscape and a stone tablet with Latin text.Albinus anatomical plate: standing muscle figure in landscape, 1749Lithograph of a skeleton dressed as a policeman in blue uniform and pith helmet, with calendars and a sitting dog, titled The Antikamnia Calendar 1900.Skeleton Policeman, Antikamnia Calendar, 1900Black-and-white lithograph of a man with raised arms and an opened torso, showing ribs, lungs, heart and intestines in surgical anatomy plate 22.Surgical anatomy: male torso with opened chest, plate 22Lithograph of a grinning skeleton dressed as a gentleman in a top hat and jacket, standing on a city street, with calendar pages at upper left.Antikamnia Calendar 1900: Skeleton Gentleman Looking for Another ButtonDark etching of two emaciated figures straining to hold up a huge tilted stone slab, with a crouched figure at lower left.Goya Caprichos plate 59: two wretches holding up a slabBlack-and-white engraving of a skeleton standing in a landscape with trees and hills, a small figure at left lifting a drape behind it.Skeleton in a landscape: Tables of the skeleton and musclesChromolithograph of a skeleton dressed in ragged green coat and bowler hat, holding a pipe, standing on a hillside beside two 1898 calendar pages.A Prodigal's Return: Skeleton in Ragged Clothes, 1898 CalendarWood engraving of a man reclining in a carved chair, facing a standing skeleton beside a table with books and a lantern in a paneled room.A Silent Colloquy: Man Reclining Before a SkeletonColorful lithograph of a skeleton in cap and vest cutting newspaper at a desk, with March and April calendars on the wall.Skeleton Cutting Newspaper, The Antikamnia Calendar 1900Engraved anatomy plate of a standing horse with exposed muscles and lettered labels, a dragonfly above, rocky hills and trees behind.Anatomy of a Horse, Engraved Plate by Andrew Snape (1687)Engraving of nude, muscular figures writhing among serpents on rocky ground, with a pole bearing a serpent at left and two kneeling men beneath trees.The Israelites Afflicted by Serpents; Brazen Serpent EngravingBlack-and-white engraving of an elderly bearded man in a dark robe holding a flask up to the light in a cluttered apothecary laboratory.The Apothecary: wood engraving of a man in his laboratoryWoodcut of a medieval apothecary shop with rows of glass flasks, robed men, a table of books, and figures carrying plant baskets.Woodcut from Ortus sanitatis, 1491: apothecary and herb gatherersColour lithograph of a skeleton in a plaid shawl and blue dress carrying a basket and watering can, with calendar pages for November and December.The Antikamnia Calendar 1900: Skeleton in Peasant DressColored lithograph of a red-cloaked skeleton with a sword beside two calendars for early 1898, with the caption May We Never Meet Him.Skeleton in Red Cloak with Sword, 1898 Calendar LithographFour engraved anatomical figures on bases show the skeleton and muscles of the human body in black and white.Tables of the skeleton and muscles of the human body, 1749Colored woodcut of a seated rich man in a fur-trimmed robe, with a skeleton Death in a niche, a clock, hourglass, coffin and skull.The Rich Man and DeathPainted panel of a man in a red cap and green robe holding a thin stick and a gold-rimmed box against a gold patterned background.Saint Damian (or Cosmas)Engraved anatomical plate of an opened human torso showing lungs, liver and intestines, with numbered labels and the caption TAB XXI.Anatomy of the human body, plate XXI, by William CheseldenEngraved allegory of classical deities on clouds above a harbour with sailing ships, a cherub holding plants, and a Latin inscription below.The Discovery of Herbal Medicines, Allegorical Engraving After Adolf van der LaanHand-colored woodcut of a globe on a pedestal inside a wheel, with four figures representing stages of life and a skeleton and angel above.The Wheel of Life, 1558 woodcutColoured pen and ink drawing of a woman in yellow holding a cup, beside a skeleton, scales, a sphinx and cabinet shelves.Hygieia, goddess of health, in a scientific cabinet, 1837Engraved anatomy plate of a nude man in profile with exposed muscles, one arm outstretched and one leg striding forward on a pale background.Anatomical plate Tab. VI: standing male figure in profileGrey anatomical lithograph of a man with arms raised behind his head, torso opened to show ribs, lungs, heart and intestines.Surgical Anatomy: Plate XXI, Male Torso with Exposed OrgansBlack-and-white caricature in a curved astrological diagram: figures on an arch, a sun above, and skeletons, snakes and scorpions in a dome below titled Blessings of Jamaica.The Torrid Zone, or Blessings of Jamaica, 1800 caricaturePoster of a columned temple with four white beds on an orange terrace, with German text advertising sandbaths at Bad Köstritz.Sandbath treatment poster for Bad Köstritz, a temple and four sand-covered bedsEngraving of two reclining stone figures on a broken pediment: one wild-faced on the left, one chained and melancholic on the right.Statues of Raving and Melancholy Madness, Bethlem HospitalEngraved anatomy plate showing a large human skull in side profile with lettered labels, plus smaller inset drawings of a skull fragment and a bone.Human skull, lateral view, from Drake's Anthropologia nova (1707)Etching of a bearded scholar holding a large glass jar beside a skeleton, with a seated patient and a caption at bottom.Scholar in a Surgeon's Workroom with a Jar of Spirits, 1686Painted landscape of a wheat field, a fence, blue mountains and red-roofed houses under a swirling white sky.The Wheat Field behind St. Paul's Hospital, St. RémyHand-colored 1816 aquatint of an apothecary shop with jars, a crowd at left, a skeleton at right, and a seated man in a hat.The Dance of Death: The Apothecary, after Rowlandson (1816)Engraved allegory with winged figures and cherubs on clouds above a harbour with ships and a distant town, in sepia tones.Discovery of Herbal Medicines and Their Transport by Ship, Engraving after Adolf van der LEngraving of Christ and an angel above a kneeling saint, with plague sufferers writhing in the foreground below and the inscription Sancte Roche ora pro nobis.Saint Roch Named Patron of Plague Victims, after RubensPainting of a man in a red tunic and blue sleeves with a brown cap, raising two fingers and holding a book against a dark background.Saint Cosmas (or Damian)Engraved anatomical plate of two nude male figures seen from behind, skin removed to show muscles, one with arm raised to head.The Anatomy of the Human Body, Plate XXEngraved title page of Theatrum Botanicum with a central text cartouche, flanking figures, plant scenes, and a bearded portrait medallion at the base.Theatrum Botanicum title page, John Parkinson, 1640Hand-coloured etching of a wide tree-lined city street receding in perspective, with crowds, carts and figures in the foreground under a blue sky.The Plague in Marseille: Main Street Scene, 1720Etching of seated nude Adam under a tree in a landscape, framed by a skeleton and anatomical fetus motifs.Adam in the Garden of Eden framed by anatomical skeleton and fetal studiesEngraving of a man dissecting a corpse under a draped canopy, with a skeleton and diagrams on the wall and robed onlookers at left.The anatomy of the human body, by W. CheseldenEngraved anatomy plate: opened pregnant abdomen with a full-term fetus inside the uterus, surrounded by intestines.Demonstration of a Pregnant Uterus and Full-Term FetusEngraved frontispiece with an oval portrait of a man in a six-pointed star, flanked by trees and animals, with Latin text below.Portrait of physician Charles Delorme, engraved frontispiece, 1630Engraved anatomical plate of an opened female torso showing a pregnant uterus with a fetus, surrounded by intestines and pelvic tissue.Pregnant uterus and fetus at term, anatomical engraving (1759)Engraving of a flayed standing anatomical figure with one arm raised, showing muscles, against a hilly landscape, labelled Tab XXVII.Anatomical figure with exposed muscles, from Drake's Anthropologia nova (1707)Engraved anatomy plate showing a man's head and neck in profile with facial, neck and shoulder muscles exposed. Plate label TAB.XI at upper left.Anatomy of the Human Body, Plate XIEngraved anatomy plate of a flayed male torso seen from behind, muscles finely hatched in black and white, labeled TAB. XII at upper left.Human torso muscles, plate XII, from Cheselden's AnatomyEngraving of a flayed male anatomical figure with one arm raised, standing before a landscape with horseback riders at lower left.Flayed anatomical figure with raised arm, Tab. XXIII, from Drake's Anthropologia nova (170Engraved anatomical plate with a full standing skeleton in the center and smaller detailed drawings of bones arranged around it on a cream background.Human skeleton and bones: ten figures, engravingEtching of a bishop raising a host over a heap of plague victims and corpses, with classical columns and cherubs in clouds above.Saint Charles Borromeo Giving Communion to Plague Victims, EtchingEngraving of a monkey skeleton standing on a tree stump at left and a bear skeleton climbing a branch at right.Skeletons of a Monkey and a Bear for Comparative AnatomyHand-coloured etching of a drunken Bacchus on a globe with a blindfolded Justice, a rooster, quacks and musicians in a crowded street scene.Drunken Bacchus atop the Globe: Justice and Health OverturnedEngraved plate with three skeletons: a ray at top left, a pike head at top right, and a turtle skeleton below.Skeletons of a Thornback Ray, Pike Head and Water Tortoise, 1791Engraving of a standing skeleton with a large skull, one arm raised, in front of a hilly landscape with a distant town.Skeleton of a Child in an Italianate Landscape, 1733Colour lithograph of a standing anatomical figure showing skeleton, muscles, vessels and organs, with a removable torso panel, on a grey background.Anatomical figure with detachable parts, colour lithograph, ca. 1890Color woodcut: a seated woman sees a skeleton reflected in an ornate mirror while two demons peer over her shoulder.Courtesan Sees a Skeleton in the Mirror, Two Demons WatchingEngraving of Saints Peter and John healing a lame man at a temple gate, with angels and a radiant figure of Christ in the clouds above.Saints Peter and John Healing the Lame Man at the Temple GateEngraving of a human skeleton in side profile, kneeling on a wooden block with arms reaching forward, on a pale page.Skeleton in profile from Cheselden's Anatomy of the Human BodyEtching of a woman in a tall cap bending over a fire, holding a creature above a pot, with a skull, open book and hanging bat nearby.Woman at a Hearth Holding a Scorpion over a PotColour print of monkeys dressed as jockeys riding galloping hounds across a field past a wooden fence and signpost under an overcast sky.Monkeys dressed as jockeys riding hounds in a hunt sceneLine engraving of a human torso skeleton seen from behind, showing spine, ribs, and pelvis on a pale background.The Trunk of the Skeleton, Posterior View, EngravingEngraving of a standing human skeleton on a plinth, one arm extended, with a dolphin-like tail curling beside its leg, on a mottled sepia background.Standing skeleton with a dolphin, engraving by William Cheselden, 1733Painting of an unconscious young man in a striped robe, an older woman holding a cloth to his nose, and a bearded man in a red cap watching at left.Unconscious Patient (Allegory of Smell)Symmetrical Buddhist thangka with a large golden seated Buddha at center, smaller seated Buddhas in arched niches, and a gilded border.The Eight Medicine Buddhas, thangka paintingPainting of bearded Christ with halo beside a table holding a chalice, scales, vials, and apothecary jars with German inscriptions.Christ the Apothecary, oil paintingMezzotint portrait of a powdered-wig man in a dark coat holding an open book with a botanical plate, framed by a Baroque scrolled cartouche with Latin text.Portrait of Dr. Christoph Jacob Trew, Mezzotint by HaidPainting of a garden with swirling dark green and orange autumn trees, a wooden bench on sandy ground, and a small figure near a pale building.The Garden of Saint-Paul HospitalCarved wooden standing figure covered with nails, cords, shells and feathers, holding a packet at its chest, on a flat base against a gray background.Male Figure (Nkisi Nkondi), Vili people, Central AfricaHanging scroll with a central seated figure on a lotus within a red circle, surrounded by rows of small circular medallions on a green and red border.Star Mandala, Japanese hanging scroll with zodiac medallionsLarge wall mural of a seated Buddha surrounded by standing attendant figures, in faded green, red and ochre, displayed in a gallery with two benches.Buddha of Medicine Bhaishajyaguru (Yaoshi fo), ca. 1319Painting of a woman holding a sick child on a couch, with a bearded man, a white-robed figure at a smoking brazier, and a kneeling girl in a columned room.A Sick Child brought into the Temple of AesculapiusEngraving of a seated woman smoking a long pipe on a divan while a standing woman in a patterned robe holds a cup beside a window.Woman Smoking a Water Pipe, Engraved Plate from Russell's Natural History of AleppoHand-coloured caricature of a man in a black hat and red coat riding a mortar-shaped velocipede with a pestle handle, captioned The Doctors Hobby.The Doctor's Hobby: Apothecary Riding a Pestle-and-Mortar VelocipedeWood engraving of a man in a frock coat gesturing toward a woman in a chair, her arms outstretched and body arched backward.Mesmerist Using Animal Magnetism on a Seated Woman, 1845Woodcut of two men seated at a draped table with a mortar, jars and a flask, flanked by banners, with a tower and houses behind.Two men at a table with apothecary vessels, woodcutEngraving of a laughing man with curly hair, narrowed eyes and wide open mouth, under the heading 'Of Laughter and Weeping'.Laughing man's head, engraving from Charles Bell's Essays on ExpressionEngraved plate of galvanism experiments: nude bodies in arched frames above, and two men in coats working beside a body on a table below.Aldini's Essay on Galvanism: Experiments on Bodies, Engraved PlateEngraving of an asylum ward where a man on the floor grips his head as attendants restrain his legs, surrounded by patients and a woman in white.Rake's Progress: Scene in Bedlam, Tom Rakewell RestrainedHand-coloured caricature: a bird-headed figure in a black hat leans over a reclining bare-chested man, framed with lettering reading Dead House.Caricature of a Bird-Headed Figure Over a Reclining ManEngraving of Aaron raising a censer among robed figures, with bodies lying on the ground and tents in the distance.Aaron staying the plague, engraving, 1815Black-and-white lithograph of a crowded gin palace with skeleton figures on pillars and drinkers in top hats in the foreground.Interior of a Temple of Juniper: gin palace caricature, 1834Hand-coloured 1835 caricature of a man and a woman seated at a round table in a room filled with statues and framed figure prints.The Blue Devils: caricature of a gouty man and his doctor, 1835Etching of a muscled flayed figure and a skeleton holding up a small circular scene, framing a certificate with inscribed text.Certificate of Anatomical Lectures with Skeleton and Flayed Figure, 1821Wood engraving of a man in a dark coat gesturing toward a woman seated in a chair, her arms outstretched, on a tiled floor.Mesmerist Using Animal Magnetism on a Seated Woman, 1845Woodcut of a winged horned devil with a tail standing beside a curtained bed where a figure lies propped up holding a bowl.The Devil Bringing Medicine to a Sick Person in Bed, WoodcutHand-colored woodcut of a pink, scaled fish with yellow fins, curved into a loop over wavy horizontal lines representing water.Fish, from Ortus sanitatis (1491)Hand-colored 1573 anatomical engraving of a seated woman with an open abdomen, surrounded by organ illustrations and printed Latin text.Anatomical plate of a seated pregnant woman, 1573Hand-colored woodcut of a bearded male figure seated with exposed organs, surrounded by labeled anatomical parts and Latin text.Anatomical woodcut plate of a bearded male figure with organsEngraved plate of a seated woman with a hookah pipe and a standing woman in a patterned gown in a room with a divan and window.Two women in an interior with a hookah, engraved plateEngraved caricature of a boy in a cap pointing at a uniformed pharmacist with a mortar; jars labelled KOCH line the shelves behind.In de Staatsapotheek: a boy asks a pharmacist for KochNarrow Karachi street of whitewashed walls and wooden balconies, with men in turbans and a uniformed figure in a helmet.Plague-infected house, Karachi, India, 1897